Pages Menu
TwitterFacebook
Categories Menu

Posted by on Sep 10, 2013 in new articles, News | 0 comments

Fabio Luisi’s 2013-14 at Zurich Opera, Met, La Scala, and in concert

Fabio Luisi’s 2013-14 at Zurich Opera, Met, La Scala, and in concert

In his second season as General Music Director of the Zurich Opera, Grammy and ECHO Klassik Award-winner Fabio Luisi premieres important new productions of Beethoven’s Fidelio and Verdi’s Aida, and conducts revivals of Bellini’s La straniera, Offenbach’s Les contes d’Hoffmann, and Verdi’s Don Carlo with René Pape, which also serves as the vehicle for his return to the Teatro alla Scala. As distinguished in the concert hall as the opera house, he leads four orchestral programs with the Philharmonia Zurich, makes his long-awaited London Symphony Orchestra debut, and returns to the Royal Concertgebouw OrchestraVienna SymphonyAccademia Nazionale di Santa Cecilia, and Cleveland Orchestra, with which he launches the new season. AsPrincipal Conductor of the Metropolitan Opera, the distinguished Italian conductor leads productions of Puccini’s Madama Butterfly and Rossini’s comedyLa Cenerentola, which will be transmitted live to movie theaters around the world in the Met’s celebrated Live in HD series.

At Zurich Opera: new productions, revivals, and orchestral series

When Fabio Luisi took up his post as General Music Director of the Zurich Opera last fall, he helped launch a new era, marked by bold productions and inspired artistic collaborations. “Zurich’s programming is showing an increasingly adventurous touch,” reports the Intermezzo blog, and Luisi has succeeded once again in attracting some of today’s most visionary directors and conductors and in drawing together first-rate casts that juxtapose living legends likeCecilia Bartoli and René Pape with emerging singers on the cusp of international stardom. “Under Fabio Luisi’s direction, the orchestra and singers proceed flawlessly, everything is there: every harshness, every tenderness, the fatal compulsion, the luminous quality,” proclaimed the Zürichsee-Zeitung, and the conductor plays a major part in the new season.

He conducts eight performances of Beethoven’s sole opera, Fidelio, in a new production from Zurich General Manager Andreas Homoki, whose honors include the French Theatre Critics Award for Best Opera. As Beethoven’s heroine, German soprano Anja Kampe reprises the portrayal with which she has already wowed critics on both sides of the Atlantic; at Glyndebourne, there was “praise all round for Anja Kampe’s performance” (Guardian), while at the Los Angeles Opera, the Los Angeles Times deemed her “marvelous.” She sings opposite Richard Tucker Award-winner Brandon Jovanovich, who makes his role debut as Florestan (Dec 8–Jan 5).

For his next original production in Zurich, Luisi reunites with young German director Tatjana Gürbaca, with whom he recently premiered a “consistently exciting, at times even gorgeous” (Basellandschaftliche Zeitung) new staging of Verdi’s Rigoletto, for the Italian composer’s Aida. With Luisi on the podium for all ten performances, the new production stars American soprano Latonia Moore, who has already embodied the title role at Covent Garden, Hamburg State Opera, and the Met; the New York Times praised her “radiant, plush, and sizable” voice and “affecting portrayal” (March 2–April 1).

Luisi also leads Zurich revivals of Verdi’s Don Carlo, with an all-star cast anchored by René Pape, dubbed the “world’s most charismatic bass” by Opera News(Feb 15–March 1); Offenbach’s Les contes d’Hoffmann, with 2013 Metropolitan Opera Beverly Sills Artist Bryan Hymel (March 21–April 2); and Bellini’s La straniera, starring legendary bel canto soprano Edita Gruberová (Sep 28–Oct 22).

The conductor is as venerated in the concert hall as the opera house, and an important focus of the Swiss appointment is his leadership of the Philharmonia Zurich. For the 2013-14 season, he has programmed six orchestral concerts, of which he himself conducts four – three in collaboration with Zurich’s Artist-in-Residence, French pianist Lise de la Salle. Dubbed “The Big Five,” the series will present a path into the symphonic literature of the 19th century by way of five key masterworks. To open the season, Luisi directs Berlioz’s iconic Symphonie fantastique alongside Rachmaninoff’s Rhapsody on a Theme of Paganini with de la Salle (Sep 29). The two reunite for the Russian composer’s Second Piano Concerto, which Luisi couples with Tchaikovsky’s Symphony No. 6, “Pathétique” (Dec 22). He continues with Mahler’s First Symphony and Hartmann’s Concerto funèbre (March 16), and draws the season to a close with de la Salle in Rachmaninoff’s First Piano Concerto, paired with Beethoven’s exuberant Mass in C (July 6).

An intimate “brunch concert” titled Fabio Luisi and Friends, offering a rendition of Schmidt’s Clarinet Quintet with the conductor himself at the piano, rounds out his upcoming Zurich season (March 2).

 Guest conducting at Cleveland Orchestra and in Europe

In one of his many high-profile guest-conducting engagements, Luisi opens the Cleveland Orchestra’s season at Severence Hall, leading three performances of Beethoven’s Fifth Piano Concerto with Hélène Grimaud as soloist. Mahler’s Fourth Symphony rounds out the program for the first and final concerts; Schumann’s First Symphony, “Spring,” closes the second (Sep 19-21). Reviewing the conductor’s first appearance with the Cleveland Orchestra, the Cleveland Plain Dealer concluded: “Here was an artist of true distinction, an interpreter in possession of a bold, unique, and clearly discernible voice.”

For his hotly-anticipated debut with the London Symphony Orchestra at Barbican Hall, Luisi leads the British orchestra in Bruckner’s Symphony No. 8 and Mozart’s Piano Concerto No. 23, K. 488, joined once again by Lise de la Salle (June 19 & 22). He returns to Amsterdam’s Royal Concertgebouw Orchestra for three performances of an all-French program comprising Saint-Saëns’s Third “Organ” Symphony, Honegger’s Rugby, and Lalo’s Symphonie espagnole; it was with Saint-Saëns that he impressed Seen and Heard International with the “the rich texture and fine sense of detail that is [his] calling card” (May 15-18). Back in his native Italy, he leads programs of Strauss, Schumann, and Bernhard Lang with Rome’s Accademia Nazionale di Santa Cecilia (May 31–June 3) and of Berlioz, Beethoven, Strauss, and Dukas with the Orchestra dell’Accademia della Scala (Oct 18-21). And for his return to the Vienna Symphony, where he recently concluded his tenure as Chief Conductor, Luisi conducts performances of Mahler’s Ninth Symphony and Schmidt’s Fantasia for piano and orchestra, with Beethoven Competition-winner Jasminka Stancul as soloist (Nov 8-10).

At Met and La Scala

With his first performances at the Met, Luisi proved himself “a musician who knew exactly what he wanted and conveyed it through the Met’s orchestra and chorus with electrical jolts of conductorial will” (New York Times). Now launching his third season as Principal Conductor of the house, the conductor looks forward to leading spring presentations of two Met favorites. The first is Rossini’s effervescent comedy La Cenerentola, with a cast boasting mezzo Joyce DiDonato in her company role debut as the title character, opposite Juan Diego Flórez as her Prince Charming. Their final performance will be transmitted live to movie theaters around the world in the Met’s Live in HD series (April 21–May 10).

When he conducted Tosca at the Met, Luisi “drew a taut, surging performance from the orchestra, chorus, and cast” that the New York Times pronounced “riveting.” He returns to Puccini for his next Met appearances, leading performances of Madama Butterfly in a revival of Anthony Minghella’s acclaimed staging. South African soprano Amanda Echalaz makes her house debut in the title role, opposite Bryan Hymel’s Pinkerton (May 1-9).

Directing Massenet’s Manon in his long-awaited debut at Milan’s Teatro alla Scala last season, it was Luisi who proved “the real star” (Giornale della Musica). For his return to the storied venue, he looks forward to leading a revival of Verdi’s Don Carlo. René Pape heads a stellar cast in his signature role of Filippo II, alongside Martina Serafin and Ekaterina Gubanova as Elisabetta and Eboli (Oct 12-26).

Fabio Luisi: upcoming engagements, 2013-14

 

Sep 19 & 21

Cleveland Orchestra

Beethoven: Piano Concerto No. 5 in E-flat (“Emperor”), Op. 73 (with Hélène Grimaud, piano)

Mahler: Symphony No. 4

 

Sep 20 

Cleveland Orchestra

Beethoven: Piano Concerto No. 5 in E-flat (“Emperor”), Op. 73 (with Hélène Grimaud, piano)

Schumann: Symphony No. 1 in B-flat (“Spring”), Op. 38

 

Sep 28; Oct 2, 6, 13, 17 & 22

Zurich Opera

Bellini: La straniera

 

Sep 29

Philharmonia Zurich

Einem: Capriccio, Op. 2

Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43 (with Lise de la Salle, piano)

Berlioz: Symphonie fantastique

 

Oct 12, 16, 19, 23 & 26

Teatro alla Scala, Milan

Verdi: Don Carlo

 

Oct 18 & 20

Orchestra dell’Accademia della Scala

Dukas: The Sorcerer’s Apprentice

Strauss: Don Juan

Berlioz: Symphonie fantastique

 

Oct 21

Orchestra dell’Accademia della Scala

Dukas: The Sorcerer’s Apprentice

Strauss: Don Juan

Beethoven: Symphony No. 7 in A

 

Nov 8-10

Philharmonia Zurich

Schmidt: Fantasia for Piano and Orchestra (with Jasminka Stancul, piano)

Mahler: Symphony No. 9 in D

 

Dec 8, 12, 15, 18, 20, 29; Jan 1 & 5

Zurich Opera

Beethoven: Fidelio (new production)

 

Dec 22

Philharmonia Zurich

Rachmaninoff: Piano Concerto No. 2 (with Lise de la Salle, piano)

Tchaikovsky: Symphony No. 6 (“Pathétique”)

 

Feb 15, 21, 23, 26; March 1

Zurich Opera

Verdi: Don Carlo

 

March 2

Brunch Concert: Fabio Luisi and Friends

Schmidt: Clarinet Quintet (Fabio Luisi, piano)

 

March 2, 6, 9, 13, 16, 19, 22, 26, 29; April 1

Zurich Opera

Verdi: Aida (new production)

 

March 16

Philharmonia Zurich

Hartmann: Concerto funèbre (with Hanna Weinmeister, violin)

Mahler: Symphony No. 1

 

March 21, 25, 28, 30; April 2

Zurich Opera

Offenbach: Les contes d’Hoffmann

 

April 21, 25, 28; May 2, 6, & 10

Metropolitan Opera

Rossini: La Cenerentola 

 

May 1, 5 & 9

Metropolitan Opera

Puccini: Madama Butterfly

 

May 15, 16 & 18

Royal Concertgebouw Orchestra

Honegger: Rugby

Lalo: Symphonie espagnole

Saint-Saëns: Symphony No. 3

 

May 31; June 1 & 3

Accademia Nazionale di Santa Cecilia

Lang: Monadologie II, Don Quichote

Strauss: Don Quixote

Schumann: Symphony No. 1

 

June 19 & 22

London Symphony Orchestra (debut)

Mozart: Piano Concerto No. 23, K. 488 (with Lise de la Salle, piano)

Bruckner: Symphony No. 8

 

July 6

Philharmonia Zurich

Rachmaninoff: Piano Concerto No. 1 (with Lise de la Salle, piano)

Beethoven: Mass in C, Op. 86

 

fabioluisi.net

 

www.facebook.com/FabioLuisiConductor

 

twitter.com/FabLuisi

 

468 ad

Post a Reply

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>