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Posted by on Sep 10, 2012 in The Voice Box | 0 comments

Operagasmic Production of the Week

by Christie Connolley

I love to arrive early to the opera.  For one, I want to sit down and see what everyone else is wearing…. the gowns, the sequins, THE SHOES!  Once that is done, I delve into the program!  I want to read the ‘who’s who, all of the singers bios, and the miniature reproductions of their glossy 8 X 10′s (which I usually go back to during intermission and estimate how many years ago that photo was taken), the director’s notes, the conductor’s notes!  It is one of the best parts of going to the opera!  So let Operagasm get you ready with the down low on new and exciting upcoming productions.

The Operagasmic Production of the Week is BAM’s Einstein on the Beach!

In 1976, audiences around the globe experienced a collective dream. Time slowed, sound tumbled everywhere and nowhere, and cryptic images froze in light. It was the collaboration of the century: Robert Wilson and Philip Glass, two chief manipulators of artistic time, joined forces in the name of another time-bender, Einstein, to create a visual, kinetic, and musical work that forever revolutionized the landscape of artistic achievement. Following critically acclaimed revivals in 1984 and 1992, Einstein on the Beach returns this fall as part of BAM’s 150th anniversary celebrations.

With no story, hero, or heroine, Einstein unfolds as a hypnotic tableau, inspired by the poetic idea of a genius and propelled by Glass’ sublime score. A cosmic chorus of syllables, numbers, streams of consciousness, and enigmatic poems–punctuated by Lucinda Childs’ choreography–unfurls beneath Wilson’s spectacular set, enlivening this epic, seminal masterwork of 20th-century performance.

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