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	<title>Operagasm &#187; Tristan und Isolde</title>
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		<title>Houston Grand Opera Announces 2012-13 Season</title>
		<link>http://operagasm.com/2012/01/houston-grand-opera-announces-2012-13-season/</link>
		<comments>http://operagasm.com/2012/01/houston-grand-opera-announces-2012-13-season/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 14:00:24 +0000</pubDate>
		<dc:creator>cconnolley</dc:creator>
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		<description><![CDATA[Houston Grand Opera, with Music Director Patrick Summers and Managing Director Perryn Leech, announces its 2012-13 season, headlined by four new productions. The first of these is Puccini’s La bohème, which launches the new season with a new staging by award-winning British director John Caird. To honor 2013’s joint bicentennials of Wagner and Verdi, the [...]]]></description>
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<p><strong><a href="http://operagasm.com/wp-content/uploads/2012/01/Screen-shot-2012-01-26-at-6.47.08-PM.png"><img class="alignleft  wp-image-17446" title="HGO" src="http://operagasm.com/wp-content/uploads/2012/01/Screen-shot-2012-01-26-at-6.47.08-PM.png" alt="" width="475" height="130" /></a></strong></p>
<p><strong>Houston Grand Opera</strong>, with Music Director Patrick Summers and Managing Director Perryn Leech, announces its <strong>2012-13 season</strong>, headlined by <strong>four new productions</strong>. The first of these is Puccini’s <strong><em>La bohème</em></strong>, which launches the new season with a new staging by award-winning British director John Caird. To honor 2013’s joint bicentennials of Wagner and Verdi, the coming season juxtaposes <strong><em>Tristan und Isolde </em></strong>– starring Ben Heppner and Nina Stemme in a new contemporary staging by Christof Loy – with a revival of Steven Lawless’s unforgettable take on <strong><em>Il trovatore</em></strong>. British conductor Trevor Pinnock leads a strong international cast in Mozart’s ensemble masterpiece <strong><em>Don Giovanni</em></strong>, while Francesca Zambello’s new production of Kern and Hammerstein’s <strong><em>Show Boat</em></strong> brings together stars of Broadway and the opera house in a celebration of America’s own contribution to the art. For a more intimate experience, Daniela Barcellona and Lawrence Brownlee star in Rossini’s <em>dramma giocoso</em>, <strong><em>The</em></strong> <strong><em>Italian Girl in Algiers</em></strong>.</p>
</div>
<div>
<p><strong>John Caird</strong>’s brand new production of a perennial favorite, Puccini’s <strong><em>La bohème</em></strong>, opens the season on October 19. An Honorary Associate Director of the Royal Shakespeare Company and Principal Guest Director of Stockholm’s Royal Dramatic Theatre, Caird’s numerous honors include two Tony Awards, two Laurence Olivier Awards, and three Outer Critics Circle Awards. American soprano <strong>Katie Van Kooten</strong> stars as Mimì, the role in which she made her Covent Garden debut, impressing the <em>Telegraph</em> as “a major operatic talent” with “a winning stage personality.” Opposite her as Rodolfo is New York native <strong>Dimitri Pittas</strong> – “a huge talent, with a ringing, easy tenor voice…like a young Plácido Domingo” (<em>Opera News</em>). With designs by Olivier Award-winner <strong>David Farley</strong>, the new production will be conducted by young American <strong>Evan Rogister</strong>, former Kapellmeister of the Deutsche Oper Berlin.</p>
</div>
<p>As HGO Artistic and Music Director <strong>Patrick Summers</strong> reveals, “Planning a season is like planning a great six-course meal, and [the company has] a lot of main courses but the one dessert – and it’s a great one, a real soufflé.” This “soufflé” is Rossini’s comic masterpiece<strong><em> The Italian Girl in Algiers</em></strong>, which opens on October 26. Making her HGO debut in the title role is Italian soprano <strong>Daniela Barcellona</strong>, a <em>bel canto</em> specialist whom <em>Opera News</em> found “perfect” in the title role of Rossini’s <em>Tancredi.</em> She’ll be singing opposite tenor <strong>Lawrence Brownlee</strong>, winner of both the Marian Anderson and the Richard Tucker Awards, who returns to Houston after wowing audiences in <em>The Barber of Seville</em>. The production comes courtesy of Spanish director-designer team <strong>Joan Font </strong>and <strong>Joan Guillén</strong> – who were last seen in Houston with witty stagings of Rossini’s <em>La Cenerentola</em> and <em>The</em> <em>Barber of Seville </em>– and features Italian conductor <strong>Carlo Rizzi</strong> on the podium. Winner of the first Toscanini Conductors competition, Rizzi made his HGO debut in 2007 with <em>Aida</em>.</p>
<div>
<p>The second of Houston’s upcoming new productions is <strong><em>Show Boat</em></strong>, which opens on January 18, 2013. Summers, who will lead from the pit, explains:</p>
</div>
<div>
<p>“<em>Show Boat</em> is one of a handful of the classic American musicals that greatly benefit from the resources of an opera company. It was Kern and Hammerstein’s wish that it bridge the worlds of opera and musical theater – I view it as the moment that operetta got an American accent.”</p>
</div>
<div>
<p>Filled with such memorable hits as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man,” the new production will be directed by <strong>Francesca Zambello</strong>, General Artistic Director of the Glimmerglass Festival. Since making her operatic debut at HGO in 1984, Zambello’s direction has been internationally recognized with France’s Chevalier des Arts et des Lettres, the Russian Federation’s medal for Service to Culture, three British Olivier Awards, Germany’s Palme d’Or, Australia’s Helpmann Award, and many more. Perfectly cast as Magnolia Hawks is American mezzo-soprano <strong>Sasha Cooke</strong>, whose “fresh, vital portrayal” and “luminous tone” (<em>New Yorker</em>) recently caused a sensation at the Metropolitan Opera. Canadian tenor <strong>Joseph Kaiser</strong>, a winner in the 2005 Plácido Domingo International Opera competition, is cast as Gaylord.</p>
</div>
<div>
<p>Houston Grand Opera’s 2012 winter season continues with <strong><em>Don Giovanni</em></strong>, which opens on January 25 in a revival of the popular and “perceptive staging” (<em>Gramophone</em>) by the late <strong>Göran Järvefelt</strong>, one of Sweden’s greatest directors. Austrian baritone <strong>Adrian Eröd</strong> makes his HGO debut as the incorrigible titular playboy, with American bass-baritone<strong> Kyle Ketelsen</strong> as his long-suffering servant Leporello, HGO Studio alumna soprano <strong>Rachel Willis-Sorensen </strong>as Donna Anna, and Swedish soprano <strong>Malin Christensson</strong> as a “heartbreaking, beguiling Zerlina” (<em>Independent</em>). With designs by <strong>Carl Friedrich Oberle</strong>, the production is led by British conductor <strong>Trevor Pinnock</strong>, founder of The English Concert. Honored as both a Commander of the Order of the British Empire and as an Officier des Arts et des Lettres, Pinnock makes his long-awaited HGO debut.</p>
</div>
<div>
<p>April 18 sees the premiere of Christof Loy’s contemporary new production of Wagner’s <strong><em>Tristan und Isolde</em></strong>. Winner of the “Faust”-Theaterpreis and Musikpreis der Stadt Duisburg, Loy has also been nominated for a Laurence Olivier Award, and was twice named Director of the Year by Germany’s <em>Opernwelt</em>. His new staging features set and costume design by <strong>Johannes Leiacker</strong>, whose credits include the Metropolitan Opera, Dresden Semperoper, and English National Opera. The title roles will be sung by Canadian tenor <strong>Ben Heppner</strong> and Swedish soprano <strong>Nina Stemme</strong>, both making their HGO debuts. Heppner, whose Tristan has already graced the Met, Lyric Opera of Chicago, and Salzburg Easter Festival, is widely recognized as “one of the best Wagnerian tenors around” (<em>New York Times</em>), while Stemme’s most recent Isolde at Covent Garden and Glyndebourne proved “magnificent…thrilling…<wbr>radiant” (<em>Telegraph</em>). Wagner’s groundbreaking score will be conducted by Patrick Summers, who observes: “<em>Tristan und Isolde</em> is one of the greatest operas ever written. It totally changed the course of Western music.”</wbr></p>
</div>
<div>
<p>To complete the season, <strong><em>Il trovatore</em></strong>, one of Verdi’s early blood-and-thunder operatic warhorses, opens on April 26, in a revival of <strong>Steven Lawless</strong>’s thought-provoking Los Angeles Opera production. Critic S. James Wegg described Lawless’s treatment as “a sumptuous feast for the ear and the eye…that resonates with modern times.” HGO Studio alumna <strong>Tamara Wilson</strong>, whose soprano impressed the <em>Houston Chronicle</em> as “a voice of steely beauty and great power,” will sing Leonora, opposite Italian tenor <strong>Marco Berti</strong>, winner of the Giuseppe Verdi Gold Medal, as Manrico. Leading dramatic mezzo-soprano <strong>Dolora Zajick</strong> – “a force of operatic nature” (<em>Los Angeles</em> <em>Times</em>) sings the gypsy Azucena, with Icelandic baritone <strong>Tómas Tómasson</strong> making up the quartet as Count di Luna, Manrico’s rival. Once again, Patrick Summers will conduct.</p>
</div>
<div>
<p>For full details of Houston Grand Opera’s 2012-13 season, click <a href="http://www.houstongrandopera.org/1213seasonpress" target="_blank"><strong>here</strong></a><strong>.</strong> Meanwhile, some additional information is provided below.</p>
</div>
<div>
<p>&nbsp;</p>
</div>
<div>
<p><strong><span style="text-decoration: underline;">Houston Grand Opera: 2012-13 season</span></strong></p>
</div>
<div>
<p><strong><em>La bohème</em></strong><strong> (new production)</strong></p>
</div>
<div>
<p><strong>Oct 19 – Nov 10, 2012 </strong></p>
</div>
<div>
<p>Rodolfo: Dimitri Pittas</p>
</div>
<div>
<p>Mimi: Katie Van Kooten</p>
</div>
<div>
<p>Marcello: Joshua Hopkins</p>
</div>
<div>
<p>Musetta: Heidi Stober</p>
</div>
<div>
<p>Colline: Vuyani Mlinde</p>
</div>
<div>
<p>Schaunard: Michael Sumuel</p>
</div>
<div>
<p>Conductor: Evan Rogister</p>
</div>
<div>
<p>Director: John Caird</p>
</div>
<div>
<p>Set and Costume Designer: David Farley</p>
</div>
<div>
<p>Houston Grand Opera Orchestra and Chorus / Richard Bado, Chorus Master</p>
</div>
<div>
<p>&nbsp;</p>
</div>
<div>
<p><strong><em>The Italian Girl in Algiers</em></strong><strong> (new production)</strong></p>
</div>
<div>
<p><strong>Oct 26 – Nov 11, 2012</strong></p>
</div>
<div>
<p>Isabella: Daniela Barcellona</p>
</div>
<div>
<p>Lindoro: Lawrence Brownlee</p>
</div>
<div>
<p>Mustafà: Patrick Carfizzi</p>
</div>
<div>
<p>Taddeo: Daniel Belcher</p>
</div>
<div>
<p>Haly: Robert Pomakov</p>
</div>
<div>
<p>Conductor: Carlo Rizzi</p>
</div>
<div>
<p>Director: Joan Font</p>
</div>
<div>
<p>Set and Costume Designer: Joan Guillén</p>
</div>
<div>
<p>Houston Grand Opera Orchestra and Chorus / Richard Bado, Chorus Master</p>
</div>
<div>
<p><em>A co-production with Teatro Real, Madrid; Maggio Musicale, Florence; and Opera National Bordeaux</em></p>
</div>
<div>
<p>&nbsp;</p>
</div>
<div>
<p><strong><em>Show Boat</em></strong><strong> (new production)</strong></p>
</div>
<div>
<p><strong>Jan 18 – Feb 9, 2013</strong></p>
</div>
<div>
<p>Magnolia Hawkes: Sasha Cooke</p>
</div>
<div>
<p>Gaylord Ravenal: Joseph Kaiser</p>
</div>
<div>
<p>Julie La Verne: Melody Moore</p>
</div>
<div>
<p>Joe: Morris Robinson</p>
</div>
<div>
<p>Queenie: Marietta Simpson</p>
</div>
<div>
<p>Parthy Hawkes: Cheryl Parrish</p>
</div>
<div>
<p>Director: Francesca Zambello</p>
</div>
<div>
<p>Set Designer: Peter Davison</p>
</div>
<div>
<p>Costume Designer: Paul Tazewell</p>
</div>
<div>
<p>&nbsp;</p>
</div>
<div>
<p><strong><em>Don Giovanni</em></strong></p>
</div>
<div>
<p><strong>Jan 25 – Feb 10, 2013</strong></p>
</div>
<div>
<p>Don Giovanni: Adrian Eröd</p>
</div>
<div>
<p>Leporello: Kyle Ketelsen</p>
</div>
<div>
<p>Donna Anna: Rachel Willis-Sorensen</p>
</div>
<div>
<p>Donna Elvira: Veronika Dzhioeva</p>
</div>
<div>
<p>Don Ottavio: Joel Prieto</p>
</div>
<div>
<p>Zerlina: Malin Christensson</p>
</div>
<div>
<p>Masetto: Michael Sumuel</p>
</div>
<div>
<p>The Commendatore: Morris Robinson</p>
</div>
<div>
<p>Conductor: Trevor Pinnock</p>
</div>
<div>
<p>Director: Harry Silverstein</p>
</div>
<div>
<p>Set and Costume Designer: Carl Friedrich Oberle</p>
</div>
<div>
<p>&nbsp;</p>
</div>
<div>
<p><strong><em>Tristan und Isolde</em></strong><strong> (new production)</strong></p>
</div>
<div>
<p><strong>April 18 – May 5, 2013</strong></p>
</div>
<div>
<p>Isolde: Nina Stemme</p>
</div>
<div>
<p>Tristan: Ben Heppner</p>
</div>
<div>
<p>Brangäne: Claudia Mahnke</p>
</div>
<div>
<p>Kurwenal: Ryan McKinny</p>
</div>
<div>
<p>King Marke: Christof Fischesser</p>
</div>
<div>
<p>Melot: Roger Honeywell</p>
</div>
<div>
<p>Conductor: Patrick Summers</p>
</div>
<div>
<p>Director: Christof Loy</p>
</div>
<div>
<p>Set and Costume Designer: Johannes Leiacker</p>
</div>
<div>
<p>Houston Grand Opera Orchestra and Chorus / Richard Bado, Chorus Master</p>
</div>
<div>
<p>&nbsp;</p>
</div>
<div>
<p><strong><em>Il trovatore</em></strong></p>
</div>
<div>
<p><strong>April 26 – May 11, 2013</strong></p>
</div>
<div>
<p>Leonora: Tamara Wilson</p>
</div>
<div>
<p>Manrico: Marco Berti</p>
</div>
<div>
<p>Azucena: Dolora Zajick</p>
</div>
<div>
<p>Count di Luna: Tómas Tómasson</p>
</div>
<div>
<p>Ferrando: Vuyani Mlinde</p>
</div>
<div>
<p>Conductor: Patrick Summers</p>
</div>
<div>
<p>Director: Steven Lawless</p>
</div>
<div>
<p>Set Designer: Benoit Dugardyn</p>
</div>
<div>
<p>Costume Designer: Martin Pakledinaz</p>
</div>
<div>
<p>Houston Grand Opera Orchestra and Chorus / Richard Bado, Chorus Master</p>
</div>
<div>
<p><em>Production co-owned by Los Angeles Opera and Washington National Opera</em></p>
</div>
<p>&nbsp;</p>
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		<title>Word of the Day!</title>
		<link>http://operagasm.com/2011/01/word-of-the-day-41/</link>
		<comments>http://operagasm.com/2011/01/word-of-the-day-41/#comments</comments>
		<pubDate>Thu, 13 Jan 2011 14:00:53 +0000</pubDate>
		<dc:creator>cconnolley</dc:creator>
				<category><![CDATA[The Voice Box]]></category>
		<category><![CDATA[Elixir of Love]]></category>
		<category><![CDATA[magic potion]]></category>
		<category><![CDATA[Nostrum]]></category>
		<category><![CDATA[poison]]></category>
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		<guid isPermaLink="false">http://operagasm.com/?p=10632</guid>
		<description><![CDATA[by Erica Papillion-Posey In the magical, fantasy ridden world of opera potions, poisons and elixirs are bountiful! From the obvious Donizetti classic Elixir of Love and Gounod&#8217;s Romeo and Juliet to Wagner&#8217;s Tristan and Isolde, there is much bamboozling and abra-cadabra-ing going on. Well, this is where it all started&#8230;. Nostrum: nos·trum/ˈnɒstrəm/ nos-truhm  –noun: 1. a [...]]]></description>
			<content:encoded><![CDATA[<p>by Erica Papillion-Posey</p>
<p><a href="http://operagasm.com/wp-content/uploads/2011/01/potion.jpg"><img class="alignleft size-medium wp-image-10634" title="potion" src="http://operagasm.com/wp-content/uploads/2011/01/potion-300x282.jpg" alt="" width="300" height="282" /></a>In the magical, fantasy ridden world of opera potions, poisons and elixirs are bountiful! From the obvious Donizetti classic <em>Elixir of Love</em> and Gounod&#8217;s <em>Romeo and Juliet</em> to Wagner&#8217;s <em>Tristan and Isolde</em>, there is much bamboozling and abra-cadabra-ing going on. Well, this is where it all started&#8230;.</p>
<p><strong><em><a href="http://dictionary.reference.com/wordoftheday/archive/2011/01/02.html" target="_blank">Nostrum</a>:<br />
</em></strong>nos·trum/ˈnɒstrəm/ nos-truhm</p>
<p> –noun:</p>
<p>1. a medicine sold with false or exaggerated claims and with no demonstrable value; quack medicine.<br />
2. a scheme, theory, device, etc., esp. one to remedy social or political ills; panacea.<br />
3. a medicine made by the person who recommends it.<br />
4. a patent medicine.</p>
<p><em>Origin:</em></p>
<p>1595–1605; <em><a href="http://dictionary.reference.com/wordoftheday/archive/2011/01/02.html" target="_blank">Nostrum</a> </em> comes from Latin <em>nostrum (remedium) </em>, &#8220;our (remedy),&#8221; from <em>nos </em>, &#8220;we.&#8221;<br />
<a href="http://dictionary.reference.com/wordoftheday/archive/2011/01/02.html" target="_blank">http://dictionary.reference.com/wordoftheday/archive/2011/01/02.html</a></p>
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		<title>Laurence Olivier 2010 award nominations announced</title>
		<link>http://operagasm.com/2010/02/laurence-olivier-2010-award-nominations-announced/</link>
		<comments>http://operagasm.com/2010/02/laurence-olivier-2010-award-nominations-announced/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 13:00:20 +0000</pubDate>
		<dc:creator>cconnolley</dc:creator>
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		<category><![CDATA[Tristan und Isolde]]></category>

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		<description><![CDATA[by Christie Connolley Every year the London Theater Society recognizes the best of London Theater with these awards named after legendary actor Laurence Olivier.  This year the nominees in musicals and opera are: New Musical: Dreamboats and Petticoats, Priscilla Queen of the Desert,  Spring Awakening,  Sister Act. Musical Revival: Annie, Get Your Gun,  Hello Dolly!,  [...]]]></description>
			<content:encoded><![CDATA[<p>by Christie Connolley<a href="http://operagasm.com/wp-content/uploads/2010/02/olivier.jpg"><img class="alignright size-thumbnail wp-image-1871" title="olivier" src="http://operagasm.com/wp-content/uploads/2010/02/olivier-150x150.jpg" alt="olivier" width="150" height="150" /></a></p>
<p>Every year the London Theater Society recognizes the best of London Theater with these awards named after legendary actor Laurence Olivier.  This year the nominees in musicals and opera are:</p>
<p>New Musical: <em>Dreamboats and Petticoats, Priscilla Queen of the Desert,  Spring Awakening,  Sister Act.</em></p>
<p>Musical Revival: <em>Annie, Get Your Gun,  Hello Dolly!,  A Little Night Music, Oliver!</em></p>
<p>Actress-Musical: Melanie C, <em>Blood Brothers</em>; Patina Miller, <em>Sister Act</em>; Samantha Spiro, <em>Hello Dolly!</em>; Hannah Waddington, <em>A Little Night Music</em>; Charlotte Wakefield, <em>Spring Awakening</em>.</p>
<p>Actor-Musical: Rowan Atkinson, <em>Oliver!</em>; Aneurin Barnard, <em>Spring Awakening</em>; Bob Golding, <em>Morecambe;</em> Alexander Hanson, <em>A Little Night Music</em>; Tony Sheldon, <em>Priscilla Queen of the Desert.</em></p>
<p>Supporting Role-Musical: Sheila Hancock, <em>Sister Act</em>; Maureen Lipman, <em>A Little Night Music</em>; Kelly Price, <em>A Little Night Music</em>; Iwan Rheon, <em>Spring Awakenin</em>g.</p>
<p>Audience award for Most Popular Show: <em>Billy Elliot, The Phantom of the Opera, War Horse, We Will Rock You, Wicked.</em></p>
<p>New Opera Production: <em>Der Fliegende Hollander</em>, Royal Opera; <em>Lulu,</em> Royal Opera; <em>Peter Grimes,</em> English National Opera; <em>Tristan und Isolde</em>, Royal Opera.</p>
<p>Did you catch any of these productions?  Who do you think should win?</p>
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